Cheim, John. Lee Krasner: Paintings from 1965 to 1970. New York: Robert Miller, 1991.
Gabriel, Mary. Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: five painters and the movement that changed modern art. New York: Little, Brown and Company, 2018
Haxall, Daniel. "Collage and the Nature of Order: Lee Krasner's Pastoral Vision", Woman's Art Journal, Vol. 28, No. 2 (Fall-Winter 2008): 20-27. JSTOR. Web.
Hobbs, Robert. Lee Krasner. New York: Abbeville Press, 1993.
Hobbs, Robert. "Lee Krasner's Skepticism and Her Emergent Postmodernism", Woman's Art Journal, Vol. 28, No.2, (Fall-Winter 2008): 3 – 10. JSTOR. Web.
Howard, Richard and John Cheim. Umber Paintings, 1959–1962. New York: Robert Miller Gallery, 1993. ISBN0-944680-43-7
Kleeblatt, Norman L., and Stephen Brown. From the Margins: Lee Krasner|Norman Lewis, 1945 - 1952 . New York: Jewish Museum, 2014.
Landau, Ellen G. "Channeling Desire: Lee Krasner's Collages of the Early 1950s", Woman's Art Journal, Vol. 18, No. 2 (Autumn, 1997 – Winter, 1998): 27 – 30. JSTOR. Web.
Levin, Gail. "Beyond the Pale: Lee Krasner and Jewish Culture", Woman's Art Journal, Vol. 28, No.2 (Fall-Winter 2008): 28 – 44. JSTOR. Web.
Levin, Gail. Lee Krasner: A Biography. (New York: HarperCollins 2012.) ISBN0-0618-4527-2
Pollock, Griselda, Killing Men and Dying Women. In: Orton, Fred and Pollock, Griselda (eds), Avant-Gardes and Partisans Reviewed. London: Redwood Books, 1996. ISBN0-7190-4398-0
Robertson, Bryan; Robert Miller Gallery New York, Lee Krasner Collages (New York : Robert Miller Gallery, 1986)
Robertson, Bryan. Lee Krasner, Collages. New York: Robert Miller Gallery, 1986.
Rose, Barbara. Krasner|Pollock: A Working Relationship. New York: Grey Art Gallery and Study Center, 1981.
